Ah, a fresh new baby year…may we meet it as such, with tenderness, love, and no small amount of wonder.

I wanted to share a few final reflections on our trip to Kenya and some of my favorite pictures as a way of tipping my hat to this adventure. Thank you for your love, support, and feedback. Here’s to an adventurous 2013, whether to parts far and wide, in our own backyard, or in the expansive world of our hearts and minds.

BeautifulPhotographed by Malcolm King-Fontana

Beautiful
Photographed by Malcolm King-Fontana

This trip to Kenya was another life lesson in why I’m not interested in winning the booby prize. There are very strong forces, internal and external, pressing for a linear life. You figure things out, take only calculated risks, maintain control more or less, remain mostly comfortable and safe, and you arrive at the finish line not too dusted up, mainly on course, and generally looking pretty good. Your guidance system leads you around rather than through questions, mistakes (i.e. learning), and suffering. To my mind, that is the booby prize.

Hippo LovePhotographed by Malcolm King-Fontana

Hippo Love
Photographed by Malcolm King-Fontana

In my mid-forties I am beginning to meet a fresh option, experientially. This is not a linear path; you take risks and detours. You are aware that you are not in control, sometimes excruciatingly so. You experience discomfort and every other emotion and you not only experience them, you welcome them and you get to know them. You begin to get that there is space for everything. You make many mistakes, a.k.a. beginner’s mind. You get rather dusted up and at times, maybe often, things look to be quite a mess. You are not safe but you are something much richer, you are engaged with life.

The Inimitable Ingrid MunroPhotographed by Malcolm King-Fontana

The Inimitable Ingrid Munro
Photographed by Malcolm King-Fontana

l find myself increasingly willing to stake everything on trusting the still small voice within and the fierce and ever-present love that meets me in so many guises. I am dipping my toes into the experience of coming home to a deeply-seated ease and peace, even in the midst of different kinds of chaos. No booby prize, that.

Masaii GrandmotherPhotographed by Malcolm King-Fontana

Masaii Grandmother
Photographed by Malcolm King-Fontana

What that has to do with Kenya is simply this – I had an inner urging to explore something that may not have been a good idea in a traditional sense. It wasn’t safe; it took a lot of resources from my limited coffers and right at a time when conventional wisdom would strongly suggest I put every penny away for my son’s college education, retirement, hell – living expenses. I didn’t have any concrete, logical reasons to make this foray. And here’s the clincher – although we returned with just a few physical and emotional scratches, I still don’t know if it was a good idea, if it was worth it (whatever that means). I did not get the material I needed to begin the writing project I had gone in search of. Malcolm didn’t find the film project he was looking for, nor did he morph into a social activist. I didn’t meet a tall, dark and handsome stranger with whom I am now riding off into the sunset. It cost a lot of money, time and emotional currency.

SimbaPhotographed by Malcolm King-Fontana

Simba
Photographed by Malcolm King-Fontana

All of that and more considered, going to Kenya with my sixteen year-old son is a choice I am happy that I made. It was a grand-ish gesture, a Yes to the way I fully intend to live the rest of my life, however long that may be. I am going to trust myself, this sweet and at times sorrowful life, and the energy of love and opening that for now I call God.

The Mara Photographed by Malcolm King-Fontana

The Mara
Photographed by Malcolm King-Fontana

Thank you Malcolm for your willingness to adventure in realms outside of the comfort/dead zone!Photographed by Kris King

Thank you Malcolm for your willingness to adventure in realms outside of the comfort/dead zone!
Photographed by Kris King

Shining HopePhotographed by Malcolm King-Fontana

Shining Hope
Photographed by Malcolm King-Fontana